Tuesday, March 26, 2013

Dulcinea



Dulcinea. 
A moment frozen   
Cervantes beckoned
She was supposed to come. 
Dulcinea. 
Achingly close, agonizingly far.
Always so far. 
Dulcinea.

Silhouette
Swaggering Spaniard
Maddening twilight of patient embers
slow fume in dogged hold on life

The flames of destruction
Or redemption
The answer lay
In the life of coals ashen grey

Frustration building
To fight against
Dying light
It was all he ever knew

A cry
In the darkness
Quickening pulse
Simmering eyes
Refused to recognize
For he knew
That the light
It grew

Demure defiance
Glimmered in the darkness

Dulcinea

Tuesday, March 19, 2013

In the Quickening

Bond: Jai Ho



In
The quickening

Devouring eyes dart
Never full
Hands anxious
Trembling touch tune to
Beckoning burn
Pressure building
Catching friction
Of laden tension
Under new moon
Noting
Temperature increase
Held hands dying desperate
For release
So that they
Could play
In a race
Seductive trace
Of life
Burning soothe
Simmering sweet
Drawing
Each breath
That builds
Each fire
Ever increase
The turn
Distance diminishes
As desire injected
Draws the other
Closing contact
Fractured selves rejoined
As souls
Furiously dance

In
The quickening

Tuesday, March 12, 2013

Words passed

Music: Yaz Don't Go lemonade remix



Words passed
Once wild
Now tame?
Expalian
The burn
Waiting for the strike
Delicate transmission trembling thin
Countered grace crying within
Forming fluctuating
Conversation continued
Bending rhythm building higher
Desperate hopes
Ashen fire
Burns bright
While waiting…
Waiting…
For unspoken to be heard
The silent shouting undertow
Casting darkness into light

Pulsing life strained
Pushing against the weight
Of laden lead masks
Her eyes entry to her soul
Should he look?
Should he see?
As she
Beckoned
Gently

Passion building
Race unbridled
Just a glance
If the chance
Could be taken
Could be

Hesitate why?
As if one could blot the sun
Burning furious
from the sky
With only the thumb

The glance
The chance
We were called to live
And live fully
Succulent delight

The eyes
Rise
To the safe harbor
Found
Reunification
Instant
Souls leaping
Completion
To leap
To dance
Anew

The hand
Began
The gentle trace
Insuring all
Was in place
They had never left

Eyes closed
Burning truth
Sweet surrender
To pouring rain
That filled once
And shall again

In safe comfort
She
Could see
Completion
Pulsing
Vibrant
Was only
A moment away
And in the distance

Trembling words
Passed
Into the glorious
Unspoken

So unspoken
Yet
Purifying
Glorious

Saturday, March 9, 2013

Rachel


Working script for a working shoot, I will post stuff for my muse Monday Tuesday on... you guessed it... Monday or Tuesday :)
FADE UP:

INTERIOR OF A VAN DRIVING AT NIGHT.  AS IF TAKEN FROM THE DRIVERS POINT OF VIEW HIS HANDS ARE PLACED ON THE STEERING WHEEL AND STRINGS ARE AROUND ONE WRIST.

                                                                        JACOB:
The info may have been weak.  But it was something.  Little more than a trace on a purchase. But, if it will stop this maddening chase, I’ll go for anything.

FADE OUT:

FADE UP:

RACHEL STANDS BEFORE A MAGAZINE RACK LOOKING AT MAGAZINES.

RACHEL (VO):
I like magazines. That’s not a crime.

RACHEL EXAMINES A MAGAZINE.

RACHEL: (VO CONT’D)
Rags filled with glossy photos. 

RACHEL EXAMINES AN ADVERTISEMENT OF A BEAUTIFUL WOMAN AND A BEAUTIFUL SURROUNDING

RACHEL: (VO CONT’D)
You know the kind, faraway places where the grime don’t stick and stink don’t smell.  So close yet always so far.

RACHEL: (VO CONT’D)
My grandparents came here from Okinawa.  An island invaded during a time of war.  The movies showed what the public could stand…

NEWSREEL FOOTAGE OF VICTORIOUS SOLDIERS

                                                                        RACHEL: (VO CONT’D)
                                                …while the soldiers saw…

NEWSREEL FOOTAGE OF CIVILIAN MOTHERS LEAPING OFF CLIFFS WITH CHILDREN IN THEIR ARMS

                                                                        RACHEL:
…what soldiers saw what only soldiers should see.  Desperate civilians caught up in chaos doing desperate things.  There are photos of that too…

NEWSREEL FOOTAGE OF BATTLE/CIVILIANS ON OKINAWA

                                                                        RACHEL: (CONT’D)
…but these photos are different kinds of photos.  Not the lacquered visions offered by the magazines.  No these are a little more honest.  Maybe they have to be.  That’s not a crime, and that aint me.

SHOTS OF PEOPLE AT NIGHT TIME IN THE SQUARE

                                                                        RACHEL: (CONT’D)
                                                This is my town… at least for now. 

SHOT OF RACHEL READING

                                                                        RACHEL (CONT’D)
For the past two weeks I’ve set up stakes here.  But I always have to keep an eye out….
    
RACHEL LOOKS AT STREET

                                                                        RACHEL (CONT’D)
                                                …avoid the him.  Just when I start to get comfortable in a
place… well… that’s when he shows up. Now I’m nervous, cause I am starting to get comfortable. 

RACHEL LOOKS UP AND SEES NOTHING LOOKS BACK AT MAGAZINE

GREEN VAN COMES TO A PARKING SPACE STOP.  A GENTLEMAN OPENS THE DOOR AND HAS STRINGS IN HIS HAND.  INSIDE OF STORE RACHEL IS READING.  MAN OPENS DOOR AND DOORCHIME ALERTS RACHEL.  JACOB GOES TO COUNTER.

                                                                        JACOB:
                                                Excuse me, but do you have a Rachel…

JACOB PUTS UP A PICTURE

                                                                        JACOB: (CONT’D)
                                                …have you seen this girl?

                                                                        CLERK
                                                Can’t say that I have?

                                                                        JACOB
                                                Do you mind if I look around for her?

                                                                        CLERK:
                                                Can’t say that I do.

JACOB STARTS TO LOOK FOR RACHEL.  RACHEL HIDES BEHIND A BOOKSHELF.  JACOB ENTERS SCENE PAUSES. AND THEN LEAVES.

                                                                        RACHEL:
                                                I have to get out of here.

RACHEL LEAVES THE STORE.

FADE DOWN:

RACHEL STANDING OUTSIDE HER HOUSE.  FLIPPING THROUGH KEYS.11

                                                                        RACHEL (V.O.)
Never fails time to move on.  Thank goodness I keep most of my stuff in the car.  Just have to pick up some of my new magazines….

A GREEN VAN PULLS UP.  RACHEL STOPS FLIPPING THROUGH HER KEYS AND LOOKS AT THE CAR SCARED.  SHE TURNS TO RUN BEHIND THE WALL OF THE BUILDING.  MAN GETS OUT OF THE CAR, RACHEL LOOKS VERY SCARED.  HE WALKS TO THE DOOR.  STOPS KNOCKS THREE TIMES.

                                                                        JACOB: 
                                                Rachel?  Rachel?

RACHEL’S FACE LOOKS VERY FRIGHTENED.

                                                                        JACOB:
Rachel?  It’s Publisher’s Clearing house Rachel.  Rachel, you are a winner.  Rachel?

FRUSTRATED JACOB WALKS BACK TO HIS CAR.

                                                                        RACHEL:
                                                I’ll leave the stuff. 

RACHEL GRABS HER KEYS AND WALKS OFF SCREEN

                                                                        RACHEL: (CONT’D)
I just like magazines.  That’s not a crime.